SOLO AND TWO-PERSON EXHIBITION
2017 Kidnapping Incites Years of Murderous Doom, The Hole Gallery, New York
2016 The Cut (with Eric Shaw), Ever Gold Projects, San Francisco
Oblivious the Greek, The Hole Gallery, New York
2014 Indefinite Free Time (with Robert Chase Heishman), LVL3, Chicago
Seriously, Ever Gold Gallery, San Francisco
2013 Angelyne, La Montagne Gallery, Boston
2012 Forever 21, Ever Gold Gallery, San Francisco
Funny Business, Nordine ZIDOUN, Luxembourg
2011 Crush, Ever Gold Gallery, San Francisco
2018 Gold Standard, Ever Gold Projects, San Francisco
Coping Mechanisms, Library Street Collective, Detroit
Comic Form and Coming From, Galerie Odile Ouizeman, Paris, France
Uncanny Memories, Sophia Contemporary Gallery, London
2016 Social Structures, Art in Buildings - 125 Maiden Lane, New York
A Round About, Present Company, Brooklyn
MirrorMirror, Eric Firestone Gallery, East Hampton
Default, Honor Fraser, Los Angeles
Bargain Basement, Spring/Break Art Show, New York (Curated)
Sugar Talk, LVL3, Chicago
Objects and Everyday Goods, Mike Weiss Gallery, New York
2015 Not a Photo, The Hole, New York
A Rare Earth Magnet, Derek Eller Gallery, New York
Making an Entrance, Robert Blumenthal Gallery/ LVL3, New York
Colors, Louis B. James, New York
Soft Core, Invisible Exports, New York
Not a Painting, The Hole, New York
What it Was (curated), Nurture Art, New York
Makers Mark, Regina Rex, New York
Green, Spring Break, New York
2014 Share This! Appropriation After Cynicism, Denny Gallery, New York
Cemeterium, Emerson Dorsch Gallery, Miami
Alpenliebe, Kaiser-Franz-Josefs-höhe, Austria
Grey Area, Bergdorf Goodman window, New York
2013 AB, Nomas Foundation, Rome
Cut and Paste, Boulder Museum of Contemporary Art, Colorado
Thanks (curated), Lu Magnus, New York
2012 Young Curators, New Ideas IV, Meulensteen Gallery, New York
This Side of Paradise, Andrew Freedman House, New York
2011 Shift Mindsets, Times Museum, Guangzhou, China
Al Ghaib, Aesthetics of the Disappearance, Maraya Art Centre, Sharjah, UAE, and STUX, New York
2010 Growing Pains, Charles de Jonghe, Brussels, Belgium
The West at Sunset, Abrons Art Center, New York
Skowhegan at 92YTribeca, 92YTribeca, New York
Unveil, Tiger Strikes Asteroid, Philadelphia
Armed and Dangerous: The Art of the Arsenal, Berkshire Museum, Pittsfield
2008 Skowhegan School of Painting and Sculpture
2001-2003 Tyler School of Art, Temple University, M.F.A. Painting
1996-2000 University of California at Santa Cruz, B.A. Painting
2018 September 27, SURFACE, “The Best of EXPO CHICAGO 2018”
September 28, Devon Van Houten Maldonado, OBSERVER, “All the Art You Need to See at This Year’s Massive EXPO CHICAGO”
May 15, Giulia Trojano, FAD Magazine, "My Week in the Art World- Mayfair Treats"
May 1, BlOUIN ARTINFO, "'Uncanny Memories' at Sophia Contemporary, London"
April/May, Interview Magazine, "Andy's Candy"
2017 October 18, Alexandra Pauly, Untitled Magazine, "Sculptor Adam Parker Smith On 'Kidnapping Incites Years of Murderous Doom"
October 19, Gary Pini, Paper Magazine, "10 Must-See Art Shows Opening This Week"
October 23, 2017, Chelsey Forbes, Office Magazine, "Kidnapping Incites Years of Murderous Doom"
2016 December 2, Melanie Gerlis, Finacial Times, "The Art Market: Miami sales and a 'shopping channel' for art"
November 17, Paul D'agostina, Brooklyn Magazine, "About & Around: A Round About"
June 23, Adam Lehrer, AUTRE, "That's a Damn Fine Painting: An Interview With Artist Adam Parker Smith"
June 22, Picks, NYAQ, "Oblivious the Greek, Adam Parker Smith at The Hole, NYC"
June 7, Adam Lehrer, Forbes, "5 Can't Miss Art Shows Of The Week Of June 6"
March 2, John Chiaverina, Art News, "Rodents, Sitcoms, and Seven Minutes In Heaven: At The Spring/Break Art Show"
January 29, Scott IndRisek, BLOUIN ARTINFO, "Death Metal, Cocaine, Mouse Strippers: Inside Art Los Angeles Contemporary"
2015 August 13, Roberta Smith, The New York Times, “In ‘A Rare Earth Magnet’ at Derek Eller, a Focus on Repurposed Materials”
August 10, The New Yorker, “A Rare Earth Magnet”
August 4, Matthew Sedacca, VICE, The Creators Project, “How Thomas Barrow’s ‘Millennial Notes’ Predicted Material Decline”
July 27, The New Yorker, “Soft Core”
July 6, Cait Munro, ARTnetNews, “14 of the Best Summer Gallery Group Shows in New York”
March 11, Purple, “Highlights From Spring/Break Show at Skylight at Moynihan Station, New York”
March 6, Glen Roven, The Huffington Post, “Eating Art”
March 4, Allison Meier, Hyperallergic, “ Jam-Packed Spring/Break Art Show Pulls into Moynihan Station”
March 4, Kate Messinger, Paper, “ 20 Art Shows to See This Spring in NYC”
February 3, Brian Boucher, ARTnetNEWS, “When Is Artist-on-Artist Theft Okay?”
2014 August 26, Eviana Hartman, Dwell, "The Art of Compromise"
May 8, Laura Jaye Cramer, SF Weekly, "Seriously: Works by Adam Parker Smith at Ever Gold Gallery"
May 7, Kimberly Chun, San Fransisco Chronicle, "Adam Parker Smith: High and low cultural mix at Ever Gold"
April 29, Nathalie Danilovich, 7X7SF, "Superheroes, Stars, and Strange New Installations at SF's Art Galleries"
April 2nd, Allyson Shiffman, Bedford and Bowery, "Adam Parker Smith at Brooklyn Artists Ball"
Febuary 21, Rebecca Bates, Architectural Digest, “Art and Fashion Intersect In Bergdorf Goodman’s Windows”
2013 May 28, Cate McQuaid, The Boston Globe, “A Much Larger Gambit”
May 8, Mateo Finale, The Boston Globe, "Critics' Picks"
May 7, Lauren Scott Miller, The Huffington Post, "Theft and Building Community"
April 22, Jenni Crain, Whitewall Magazine, "Adam Parker Smith Stole 77 Artworks and Lived to Tell About It"
March 29, W. Mark Dendy, The Examiner, "Thievery is Part of The Process in Putting Together One Artist's Exhibit"
March 28, Melena Ryzik, The New York Times, "Sticky Fingers Make the Show"
March 28, Paul D'agostino, The L Magazine, "Art Picks From Print"
March 13, Brian Boucher , Art in America, "Steal This Artwork: Adam Parker Smith Filches a Show"
March 8, Kristin Iversen, Brooklyn Magazine, "Storefront Bushwick: Art, Open to the Street"
Febuary 11, New York Magazine, "The Aprroval Matrix"
January 2, Paul D'Agostino, The L Magazine, "Brooklyn Art in 2013: What to Watch"
December 1, Alexander Bigman, SFAQ, "Forever 21"
2012 November 14, Kimberly Chun, San Francisco Chronicle, "Adam Parker Smith at Ever Gold"
November 14, Ben Valentine, Hyperallergic.com, "Ferris Bueller, Vodkamellons, and Other Youthful Follies"
September, Modern Painters, "Hot Picks"
July 10, Chloe Wyma, ARTINFO, "Bright Young Things"
June 12, Hrag Vartanian, Hyperallergic.com, "9 Artist to Watch from the 2012 Bushwick Open Studios"
May 5, Tina Orlandini, The Huffington Post, "Reinventing the Pop-up Gallery With Sights on Community"
May 31, NY Arts Magazine, "Four Shows To See During Bushwick Open Studios"
March 27, Jaime Rojo and Steven Harrington, The Huffington Post, "Poor House for the Rich Revitalized by the Arts"
March 21, Paul D' Agostino, The L Magazine, "Phantasmagoria and Phalli at Ghost Face"
2011 September 21, Benjamin Sutton, The L Magazine, "Ten Must-Sees at This Weekend's DUMBO Arts Festival"
August, Nie Yiting, Artforum.com, "Critics pick, Guangdong Times Museum"
March, David Everitt Howe, Art Review, "The West at Sunset"
2010 June 23, Deirdre Hering, The L Magazine, “See Something Among Works That Say Nothing”
May , Manya Scheps, Philadelphia Weekly, “Value City”
Spring, Rachel Wolff, Whitewall Magazine, “New Artist Profile”, Issue 17
January 19, Jonathan Wallis, City Paper Philadelphia, ““Unveil” at Tiger Strikes Asteroid”
2009 September/ October, Ian Bourland, Artforum.com, “Critics pick, The Austerity Cookbook”
June/July, Stacey Dewolfe, Montreal Mirror, “Guns N’ Antlers”
April / May, Art World, “Urbis Delivers Hot Stuff From New York”
April 30, Roberta Smith, The New York Times, “Humble Fabric Takes Center Stage”
March 7, Karen Rosenberg, The New York Times, “Toplessness and Taxidermy in Art Fairs Surrounding Armory”
2008 September 26, Benjamin Genocchio, The New York Times, “In Peekskill, 2 Shows of Raw Works”
May, Michael Harvey, Art in America, “Review of Exhibitions”
March 29, Sarah Schmerler, New York Post, “Change of Art”
2007 December 18, R.C. Baker, Village Voice, “Recommendations by R.C. Baker”
New York Foundation for the Arts Fellowship in Painting